The sectors we serve
These are the six kinds of house we work for today. In each case we run the same redemption, keep the same record and do the same verification. What differs is what is made, how it reaches the collector, and what the record is later asked to prove.
Jewellery and watches
A token that entitles its holder to a ring, a watch or a piece of high jewellery is a promise the house has to keep once, precisely, and to the right person. We take the choices that make the piece, which might be the metal, the size or an engraving, we quote whatever is chargeable, and we take the delivery address under the collector's own signature.
After delivery, the record we hold is the piece's passport. It says what was made, for whom, when, and against which token. The European Digital Product Passport reaches jewellery and watches from 2027, and a house that already keeps this record has nothing left to build.
Art editions and prints
For an artist, a studio or a gallery, the token is the edition number. We redeem the impression it names, and our register says which impressions exist, which have been claimed, and which wallet claimed each. An edition becomes a list rather than a rumour.
A certificate can travel with the piece, carrying the artist's mark and the reference of our record, and anyone can check it against a public explorer without coming to us.
Automotive art and objects
Sculpture, limited pieces and objects made with or around a marque, where the collector is often already a client of the house and the piece is heavy, valuable and made to order. Delivery is as often by appointment as by post, and we handle both without asking a collector to do anything twice.
The record ties the piece to the token and to the collector's wallet, so that provenance at resale is a lookup rather than a search through old correspondence.
Issuing for the first time
For a house that has not yet issued, we deploy and run the contract, the drop and the allowlist under the house's own name, on Ethereum or as Bitcoin inscriptions, and then we run redemption on the same portal. That gives the house one operator from the first token to the delivered piece, and one record throughout.
A contract we deploy records who redeemed each token, permanently, because that is the rule our whole service relies on. A house that issues through us has it built in from the start.
Certificates and registers
Not every provenance record needs a token. For artists, galleries, print studios and foundries, we keep a register of works and editions and issue certificates against it, transferred on sale, so that a certificate is a record rather than a piece of paper that can be copied.
Where a token exists the certificate points at it. Where it does not, the register is the authority, held in the United Kingdom and independent of any marketplace.
Archives and estates
A house's ledger of what it made and for whom is often paper, or a spreadsheet, or one person's memory. We turn it into a register that can be proven. Each entry is attributed and dated and, where the house chooses, anchored to a public chain so that it can be verified later without trusting anyone, ourselves included.
An estate or a foundation gets the same thing, which is a catalogue that can answer, for any work, what is known and on whose authority.
Other sectors
Membership and allocation, succession, attestation of physically backed tokens, and proof of holding in person are conversations we are already having with houses, and they are on the enquiry form. If what you have in mind is none of these, choose the nearest and say what you mean. We would rather hear it than have you guess.
Enquire